John Ransom Phillips at NY Observer’s Top 20 Philanthropists Event

This Tuesday was a special exhibition in celebration of the New York Observer’s Top 20 Young Philanthropists May Event, featuring the works of John Ransom Phillips. As part of this global exhibition, Bergès Creative Group welcomed visiting Chinese artists to New York. From April 16th, the work of these artists were exhibited at John’s Studio & Gallery, with a gallery opening on April 16th, and private viewings beginning April 17th. Afterwards, John’s works were put up for auction at the New York Observer Philanthropists Event.

John with Georges Berges and Jared Kushner, Owner of the New York Observer

John with Georges Berges of Berges Creative Group and Jared Kushner, Owner of the New York Observer

Loving Obama
Written by John Ransom Phillips and Directed by Sidra Bell

Friday, February 21st, 7:00 pm
Saturday, February 22nd, 8:00 pm

Art Pond Studio Space
313 E 58th Street at 2nd Ave

THE PLAY: Barack Obama feels the continuing loss of his father who was never there for him. He feels it as a large black hole growing hourly larger that must be filled in order for him to become himself. The play is a journey of self-discovery inspired by “Dreams from My Father” but in no way a translation. Obama meets three iconic Afro-American leaders, all fatherless sons who also feel the desperation of incompletion. Each tries to influence the young Obama dispensing guidance peculiar to his own character and way of movement. In time he meets an influential man who is complete with his own father and pushes the future president to find closure in his quest by loving himself as a fatherless son.

THE PLAYWRIGHT: John Ransom Phillips is a painter and writer living in New York City whose works have been exhibited both nationally and internationally. He holds a PhD from the University of Chicago in the History of Culture. His published works include Ransoming Time: A Photographer’s Dream Book (Clarissa Editions, 2014), Small Diary of a Little Painter (Clarissa Editions, 2014), Beyond Nature (Clarissa Editions, 2014), Ransoming Mathew Brady (Hudson Hills, 2010), Contemporary Book of the Dead (Hudson Hills, 2009), and Bed as Autobiography (University of Chicago, 2004).

THE DIRECTOR: Sidra Bell, is currently a Master Lecturer at the University of the Arts, was an Adjunct Professor at Barnard College, and has a degree in History from Yale University and an MFA in choreography from Purchase College. She was awarded a 1st Prize for Choreography at the Solo Tanz Theater Festival in Stuttgart. Her critically acclaimed company “Sidra Bell Dance New York” (SBDNY) was lauded in the Pittsburgh Post Gazette’s 2010 Best in Dance for ‘ReVUE’, and in the 2012 Year in Review in ArtsATL’s notable performances for ‘Nudity’. Bell has received many commissions from BODYTRAFFIC, Ballet Austin, Sacramento Ballet, Juilliard, River North Chicago Dance Chicago, Ailey II, LEVYdance, Robert Moses’ KIN, LINES Ballet School, Uppercut Dansteater (DEN), Motto Dans Kolectif (TUR), Peridance Contemporary Dance Co., Tisch, University of Utah, August Wilson Dance Ensemble, Point Park University, University of Michigan, Ailey School, Barnard College, New York Live Arts, Dance Theater Workshop, Kelly Strayhorn Theater, Tribeca PAC, Stella Adler Studio of Acting, Springboard Danse Montréal, The Duo Theater, Purchase College, National Choreographer’s Initiative, Visceral Dance Company, University of the Arts, Five College Dance Department, and Houston Metropolitan Dance Company. She was commissioned as the choreographer for the feature film TEST written/directed by Chris Mason Johnson (Frankfurt Ballet/White Oak Project). Screenings have included: Seattle Film Festival, Frameline37 (San Francisco), Outfest (L.A.), and Lincoln Center’s NewFest. Bell is a sought after master teacher and her alternative approach was featured in Dance Teacher Magazine and Dance Studio Life Magazine. She has taught her unique creative practice at major institutions for dance and theater throughout Canada, Europe, South America, and the United States. www.sidrabelldanceny.org

MOMMY: In 4 Acts
Written by John Ransom Phillips & Directed by Javier González

In a fractured domestic landscape, human resilience encounters both annihilation and hope. “And you look. And you keep looking. And you make yourself alive by looking.”

Friday, August 16th, 8:00 pm
Saturday, August 17th, 8:00 pm

Art Pond Studio Space
313 E 58th Street at 2nd Ave

THE PLAYWRIGHT: John Ransom Phillips is a painter and writer living in New York City whose works have been exhibited both nationally and internationally. He holds a PhD from the University of Chicago in the History of Culture. His published works include Ransoming Time: A Photographer’s Dream Book (Clarissa Editions, 2014), Small Diary of a Little Painter (Clarissa Editions, 2013), Ransoming Mathew Brady (Hudson Hills, 2010), Contemporary Book of the Dead (Hudson Hills, 2009), Bed as Autobiography (University of Chicago, 2004), Reformation of Images (University of California Press, 1984).

THE DIRECTOR: Javier González writes, directs and teaches theater in New York City. Productions of his original plays and adaptations include Open up, Hadrian (Magic Futurebox), FLORIDITA, my Love (Teatro LATEA/IATI Theater), Barceloneta, de noche (Union Theatre, London/IATI Theater, NY), Un instante en una especie de flash (Yerbabruja, Puerto Rico), Never as Happy-Orestia (Theatre of the Riverside Church), Uneventful Deaths for Agathon (FringeNYC) and Las minutas de Martí (Repertorio Español). FLORIDITA, my Love was published by New York Theater Experience as part of an anthology Plays and Playwrights 2011 and online at Indie Theater Now, along with Open up, Hadrian and Uneventful Deaths for Agathon. He is the artistic director of Caborca, holds an MFA in Directing from Columbia University, and was a part of the Public Theater’s Emerging Writers Group (2010-11).

WILL & TEDDY (Warring Presidents)
A play written by John Ransom Phillips & directed by Tea Alagić

“I cannot overcome the habit. When I am addressed as Mr. President, I turn to see whether you are not at my elbow.”

Wednesday, July 10

8pm performance
Artpond Studio Space
313 E 58th Street
(between 1st and 2nd)

THE PLAYWRIGHT: John Ransom Phillips is a painter and writer living in New York City whose works have been exhibited both nationally and internationally. He holds a PhD from the University of Chicago in the History of Culture. His published works include Ransoming Time: A Photographer’s Dream Book (Clarissa Editions, 2014), Small Diary of a Little Painter (Clarissa Editions, 2013), Ransoming Mathew Brady (Hudson Hills, 2010), Contemporary Book of the Dead (Hudson Hills, 2009), and Bed as Autobiography (University of Chicago, 2004).

THE DIRECTOR: Tea Alagić is an internationally acclaimed, multilingual theater director and artist based in New York City. She is a recipient of the Kaufman Prize in Directing. Recent productions include “Jackie” by Elfriede Jelinek at Women’s Project, “A Light Design” by Branden Jacobs-Jenkins at the Baryshnikov Art Center and “Petty Harbour” by Martyna Majok at the Yale Carlotta Festival.

CAST:
Christopher McFarland
Eric Bryant
Monique Barbee

MUSIC: Robert Een
CHOREOGRAPHER: David Grenke
DRAMATURG: Emily Reilly
SET & COSTUMES: Adam Rigg
PROJECTIONS: Paul Lieber
LIGHTING DESIGN: Tim Cryan
SOUND DESIGN: Zachary Dunham
PRODUCTION MANAGER: Nicole Bromley
STAGE MANAGER: Emily Goforth

MARY BECOMING 
(or Mrs. President)

MARY BECOMING 
(or Mrs. President)
A play written by
 John Ransom Phillips & directed by
 Charlotte Brathwaite

Nov 15, 16 & 17 (3 nights only)

7:30pm seating
8pm performance
313 E 58th Street
(bet 2nd & 3rd Ave)

THE PLAY: A famous first lady wants to become something more. She awaits her turn in front of a celebrity-maker’s lens. A studio transforms into a reflection of its own history. Mary Becoming (or Mrs. President) is a mesmerizing kaleidoscope of media, movement, sound and language. A vibrant, colorful look at how much of oneself can be unleashed in a flash.

THE PLAYWRIGHT: John Ransom Phillips is a painter and writer living in New York City whose works have been exhibited both nationally and internationally. He holds a PhD from the University of Chicago in the History of Culture. His published works include Ransoming Mathew Brady (Hudson Hills, 2010), Contemporary Book of the Dead (Hudson Hills, 2009), and Bed as Autobiography (University of Chicago, 2004). Mary Becoming is his first venture in writing for performance.

THE DIRECTOR: Charlotte Brathwaite’s work has been presented in theaters in the U.S., Mexico, the Netherlands, India, Germany, Austria, Trinidad and Croatia. Recent works include The Coming… at the Living Theater; Kleopatra: The Dead Don’t Bite with Naturaleza Humana and the Aarshi Theater Company in Kolkata, India; and American Schemes by Radha Blank at New York City Summerstage. She was a 2010 Princess Grace Award recipient and holds an M.F.A. in directing from the Yale School of Drama.

DRAMATURGE: Anne Davison
LIGHTING DESIGN: Yi Zhao
COSTUME DESIGN: Elizabeth Barret Groth
MEDIA DESIGN: Grant McDonald
COMPOSER: Samuel Adams
CHOREOGRAPHER: Jennifer Newman

Sleeping Presidents

Comprising over 50 paintings and watercolors, this series reveals the dream-lives hidden behind the personal histories of America’s forty-four Commanders-in-Chief. In characteristically bold and colorful expression, Phillips’ new works illuminate worlds in which George Washington fulfills his fantasy, Bill Clinton recognizes his mother’s power, and Barack Obama wades in the shallows of two merging continents.

JRP Studio
Series preview by invitation only
Thursday, May 17, 2012

Sleeping Presidents (Download PDF)
John Ransom Phillips (Download PDF)

Brave Hearts: Visions of Civil War Battlefields

Brave Hearts: Visions of Civil War Battlefields

Yale historian Alan Trachtenberg discusses battlefields in the paintings of John Ransom Phillips and the photography of Mathew Brady. He raises the question—Do paintings give us a truth deeper than the promise of photography? A exhibition tour led by John Ransom Phillips will follow the lecture.

October 1, 2010 at 6pm

Albany Institute of History & Art
125 Washington Avenue
Albany, NY 12210
518 463 4478
albanyinstitute.org